In Coralie Fargeat's brand-new feminist scary movie The Substance, dangerous societal elegance criteria are the actual monsters. They (women objectification, the fingertip of "the aged," the spread of a sector improved body system customization) supply a creature of a cycle that leads Demi Moore's fading television individuality character Elisa

The results are absorbing if sometimes not happy, both equally in the tale and its telling. No lifetime is seamless, rather than each and every biographical portrait has to be, but this 1 is so riddled with uncomfortable transitions, which includes around the soundtrack, that it has a tendency to lurch distractingly, as though Mr. Mori ended up

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